Kristin Finnigan MEZZO SOPRANO

Kristin Finnigan graduated with honours from the Royal Scottish Academy of Music and Drama in 2004, having studied with Margaret Izatt and has recently she has completed the advanced postgraduate course at Trinity College of Music, supported by the Henry Rennoldson-Crawford Scholarship. She continues her vocal studies with Alison Wells.

Operatic roles include Amastre in Xerxes for Iford Arts, Widow Browe Peter the Great for Opera South, Bacchis in Troy Boy for Merry Opera, Fairy Queen Iolanthe for Charles Court Opera, Marcellina Le nozze di Figaro for Musique Cordiale Opera in London & France, Messaggiera in Monteverdi's L'Orfeo, Symbolic Mother in the world première of Tunde Jegede's A Cry of Innocence, Mrs Peacham in Gaye's The Beggar's Opera, Cornelia in Handel's Giulio Cesare, Mme de Croissy in Poulenc's Dialogues des Carmélites and the title role in Carmen for Meantime Opera at the Greenwich Theatre. She was also the alto soloist in Trinity's performance of Tippett's A Child of our Time.

CV

Biography

Reviews


Current Highlights

Reviews

2011
Widow Browe, Peter the Great
Opera South

2012
Flora / Annina, La traviata
Merry Opera

Mistress Quickly
Iford Arts

"Finnigan boasts a proper contralto of warm, ample sound yet it is flexible too; she promises much in the longer term and, already here, made her mark"
Rian Evans, Opera - Amastre Xerxes, Iford Arts

"Finnigan might just be something special in the making - directors take note"
Sue Loder, 
Opera TodayAmastre Xerxes, Iford Arts

"Kristin Finnigan (Prioress) stood out for me, her voice is warm, rich and very powerful. Her death scene was stunning."
London Evening Standard - Mme de Croissy Dialogues des Carmélites, Trinity College of Music